Albert Bierstadt
Albert Bierstadt's Oil Paintings
Albert Bierstadt Museum
Jan 8, 1830 - Feb 18, 1902. German-American painter.

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Oswald achenbach
Constantine's Triumphal Arch in Rome

ID: 98106

Oswald achenbach Constantine's Triumphal Arch in Rome
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Oswald achenbach Constantine's Triumphal Arch in Rome


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Oswald achenbach

German Painter, 1827-1905 was a German landscape painter. Born in Desseldorf, he received his art education from his brother, Andreas Achenbach. His landscapes generally dwell on the rich and glowing effects of color which drew him to the Bay of Naples and the neighborhood of Rome. From 1863 to 1872 he was Professor of Landscape Painting at the Desseldorf Academy. He died in Desseldorf of an inflammation of the lungs.   Related Paintings of Oswald achenbach :. | Fireworks in Naples | Cypresses in the Park at the Villa d-Este | Constantine's Triumphal Arch in Rome | Abendstimmung in der Campagna | Monastery Garden |
Related Artists:
Hippolyte Petitjean
Hippolyte Petitjean (1854 - 1929)
Mount, Evelina
American Painter, 1837-1920
Raffaello
Italian painter , 1483-1520 was an Italian painter and architect of the High Renaissance, celebrated for the perfection and grace of his paintings and drawings. Together with Michelangelo and Leonardo da Vinci, he forms the traditional trinity of great masters of that period. Raphael was enormously productive, running an unusually large workshop, and, despite his early death at thirty-seven, a large body of his work remains, especially in the Vatican, whose frescoed Raphael Rooms were the central, and the largest, work of his career, although unfinished at his death. After his early years in Rome, much of his work was designed by him and executed largely by the workshop from his drawings, with considerable loss of quality. He was extremely influential in his lifetime, though outside Rome his work was mostly known from his collaborative printmaking. After his death, the influence of his great rival Michelangelo was more widespread until the 18th and 19th centuries, when Raphael's more serene and harmonious qualities were again regarded as the highest models.






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